We're delving into another of the three elements of story: character. (The three elements being character, setting, and plot 😄) I'm not going to go in any special order with these.
Here's a provocative sentence I came across:
Archetypes are masks of a complete human being.
Last month I unpacked mask. Let's look at the complete human being.
It's a fact that no character, not even Pinocchio, can be a real human being. But you can make them feel more or less like a real person to the reader. How is that?
In researching archetypes, I came across a Between the Lines Editorial blog that explains it very well. There are flat, static characters who are one- or two-trick ponies and never change. There are also rounded, dynamic characters. These characters change over time (like we do) and have many personality traits, some of which vary over time and are even contradictory (like we do!).
So make your Pinocchio, not a static wooden puppet, but a conflicted being who wants to be a real boy but can't, until he understands the truth and changes his life.
Published since 2009, over the years I've accumulated various items of writing wisdom. The Third Tuesday Writing Tidbit showcases these items in no particular order. Click here to see all 3T Tidbits.
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