2T Repeat Performance - The Beach and the Pounding Waves (Paranormal vs. Contemporary Romance)

I've done a number of blog tours over the years, posting on different sites. Now I'm bringing them to you!

Originally published February 6, 2013 for Guilty Pleasures

The Beach and the Pounding Waves (Paranormal vs. Contemporary Romance)

Pounding waves. Standing on a beach, feeling the warm wet sand between my toes. Walking slowly into the lake or ocean, cool water lapping at my ankles…and then being hit by that first surge of water which lifts me off my feet. That’s what writing contemporary romance versus paranormal romance means to me.

The very first story I wrote, Hot Chips and Sand, was a contemporary romantic comedy. The very second I wrote, Mystic Fire, was a dark paranormal about a man who sees the future and thought his gift killed his mother, and the heroine who redeems him.

So you see, I was split from the beginning. ☺

For me, it’s not contemporary versus paranormal any more than it’s left brain versus right brain or water versus land. I need both. One is the land that grounds me. The other is the water that lifts me from my feet.

That’s not to say each doesn’t have its own peculiarities, difficulties, and joys. Contemporary is faster and easier for me because I don’t have to do the world building or worry about what I need to explain (and how to present it in an entertaining but believable manner). Paranormal is more fun because of the world building. I can pick physical vampires or magical witches and shifters or corporate werewolves and muck about in their DNA if I want to (whee!). Contemporary romance is more day-to-day. It has a hero I can relate to and a heroine I could possibly be, with difficult yet real problems like babies, career and making a home. Paranormal deals with ideals. The hero and heroine are not just sweethearts but each other’s One True Love or True Mates. Their problem is generally Saving The World.

But whether contemporary or paranormal, the emotional component has to be there, and it has to ring true. The conflicts, whether real or ideal, have to be real to the heroine and hero.

And most of all, the story has to sweep the reader away for a little while.

Hugs!

Mary

 

3T Writing Tidbit - Writer's block -- isn't always a bad thing.

Here's a controversial take. Writer's block -- isn't always a bad thing.

I have a couple series to finish. Life did a hard right turn on me in 2018 and I've got a full-time job, so those series are going to be a while.

But I've been thinking about the final book in the Pull of the Moon series, Soul Mates. Back pre-2020 I had the main characters scoped out and a plot outline and had actually written three chapters -- and rewritten those chapters -- and restructured the plot -- and rewritten those chapters yet again, thinking it was writer's block, before I came to a realization.

I didn't like the male hero.

Half-heartedly I pushed at it, but between studying for my application developer degree and reeeally not liking the hero, I didn't get anywhere.

A new job was followed by a couple promotions. Life is still chaotic but I found myself thinking about Soul Mates in my spare time. And realized a second thing.

The female hero is...well, not boring exactly, but blah.

There are a ton of books out there with characters who aren't bad, per se, but who are average. That's not bad (per se) -- it's just that you only have three things to work with: character, setting, and plot. Writing a novel is already hard. Bland-ize any one of these three elements and you'll have to work ten times as hard.

Give your characters pizzazz and suddenly the whole process sparkles.

My female hero was a seer who went blind after a vision and played piano (yawn). Nixie is a 5-foot punk rock musician with a vocabulary straight out of Urban Dictionary (sparks interest). My male hero was a half-wizard, half-spirit creature who'd been imprisoned his whole life with his mother (um...) Julian is a 6-foot lawyer with a fangy secret (and also the exact opposite of Nixie, more sparks flying!).

I still haven't figured out what will light the fire in my Soul Mates couple, but once I do I know their romance will sizzle the words will pour out.

Moral of the story -- listen to your muse when she scuttles your work. Pushing through is sometimes effective, but sometimes there's more wrong than just writer's block.

Published since 2009, over the years I've accumulated various items of writing wisdom. The Third Tuesday Writing Tidbit showcases these items in no particular order. Click here to see all 3T Tidbits. 

2T Repeat Performance - questions about Edie

I've done a number of blog tours over the years, posting on different sites. Now I'm bringing them to you!

Originally published February 5, 2013 for the Read Your Writes

1) Edie and the CEO is your first step into the Contemporary romance genre.  Did you find it easier or harder to write?

Easier by far. There’s no world building to do so there are fewer explanations dragging the story down.

2)  I read an excerpt on your website for the book.  It actually left me with my mouth open... Oh my gosh.. What was your inspiration for the book?

Thanks for the kind words :D The short answer? The story is my own experience as a child of the 60s finding a job in the 80sthe humorous clash of hippies meeting the material world. Edie’s passionate about workers’ rights, which gets her in trouble with sexy CEO Everett Kirk.

The longer and more serious answer is that I was the youngest in my family, so was aware of the 60s (and early 70s) through my older sibs. It was a time of protest and change, of dreams and conflict and most of all environmental awareness and grassroots uprisings. But by the time I went for my computer degree in the 80s, that had about-faced to the world typified in Madonna’s “Material Girl”. I personally faced the struggle of my grassroots ideals versus feeding my family and getting ahead in my career. Just as Edie does in the story, I had to go through a lot of conflict to find the right balance.

3)  What three things should we know about Edie and Everett?

-Edie is brash and crusading and cares deeply about her people.

-Everett is more complex, having weathered corporate infighting. But he wasn’t always a suit and has a number of secrets, including his discreetly siding with Edie in the employee-management corporate tug of war.

-Edie and Everett’s bickering is the squabbling friction before the physical flames ignite. ☺

4)  What do you want readers to take away from the book, besides sore cheeks, because they laughed so hard?

You’re too kind! The best thing about writing is touching another person’s life. I feel that if my stories take readers away from their troubles for a little while, I’ve done my job. ☺

3T Writing Tidbit - How to Get Started

 Openings. Grr. They're my nemesis. How do you get started when your reader needs to know all your wonderful characters and all the things leading up to the brilliant events that happen in your plot and all the quirks of your fictional world and... and... and...

What?!?! Readers want a story, not an information dump. Forget all that stuff you need to give them to "get started". Most of my favorite books start with:

1 character

doing something interesting

-or-

1 character

presenting a question the reader will want answered

-or-

no character at all!

Here are some first lines that demonstrate the above, some taken from Libby Life.

“This is my favorite book in all the world, though I have never read it.” -William Goldman, The Princess Bride

“It was a bright cold day in April and the clocks were striking thirteen.” -George Orwell, 1984 

“My name was Salmon, like the fish; first name, Susie. I was fourteen when I was murdered on December 6, 1973.” -Alice Sebold, The Lovely Bones

“When I first set eyes on Evelyn Barton-Forbes she was walking the streets of Rome --
(I am informed, by the self-appointed Critic who reads over my shoulder as I write, that I have already committed an error. If those seemingly simple English words do indeed imply that which I am told they imply to the vulgar, I must in justice to Evelyn find other phrasing.)” -Elizabeth Peters, Crocodile on the Sandbank

“I write this sitting in the kitchen sink.” -Dodie Smith, I Capture the Castle

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.” -Charles Dickens, A Tale of Two Cities

"Green sky at night; hacker's delight." -Charles Stross, The Atrocity Archives

Published since 2009, over the years I've accumulated various items of writing wisdom. The Third Tuesday Writing Tidbit showcases these items in no particular order. Click here to see all 3T Tidbits. 

2T Repeat Performance - Feelings Exposed!

I've done a number of blog tours over the years, posting on different sites. Now I'm bringing them to you!

Originally published February 4, 2013 for Crimson Romance blog

Feelings Exposed!

Think back to high school. How many boys did you like? Did you have a lot of crushes or one big love? Here’s the kicker—how many of those boys knew you liked them? (My answer at the end. ☺)

Romance is scary. It takes two to tango and you’re never quite sure about the other person until you put your own feelings on the line. That’s why romance novels are so deeply compelling. Storytelling is all about conflict, and whether or not to reveal your heart is one of the most personal struggles there is.

But exactly because it’s scary, romance is also fun. It’s exciting for the couple, breathless with possibilities. But it’s even better for the best friend or reader. Watching two people dance around their attraction can be high comedy. They hide behind nonchalance, then dash out to signal their interest before retreating again—usually just when the other person starts flailing their romantic semaphore.

My favorite is the bickering that disguises an explosive attraction, squabbling friction just before the physical flames ignite. Here’s an example from my romantic comedy debut with Crimson Romance, Edie and the CEO.

Edie wants to make her 60s protester grandparents proud. But championing the little guy gets her in trouble with sexy CEO Everett Kirk. Someone's trying to force Everett out of his job, and Edie's latest escapade hasn't helped. A snowstorm and an empty cabin makes them confront their attraction.

Everett has arrived to pick up Edie for a conference. She isn’t awake yet and he thinks she’s in trouble and breaks down her door. She steps on a broken board and hurts her foot.

“If you risk infection by putting that foot down,” Kirk called from the living room, “I will personally lash your ankle to your thigh. Let me warn you, I tie some pretty wicked knots.”

“I just bet you do,” she muttered. Did the man install an AuthorityCam to see around the corner? Stupid president, autocratic and demanding even off the job.

Grumbling, she hopped to the bathroom, found disinfectant and cotton balls, flopped onto her toilet seat, and pulled up her foot.

It was a dirty, bloody mess.

Phooey. If she hated his high-handedness, she hated worse when he was right. He was already arrogant enough.

She doused the cotton ball with disinfectant and swabbed her wounded foot, but it was like cleaning a muddy car with a makeup sponge. She just smeared the blood and dirt. So she started the water in the tub to rinse her foot instead. Then she decided she might as well shower. It was only efficient. Amazingly rational, considering she hadn’t had any caffeine yet.

But in case Prince Omniscience decided to be his usual argumentative self, she locked the door.

She stripped quickly, got right in, and started shampooing. She’d worked up a good lather when the pounding started at the bathroom door.

Half-blinded, she stuck her head out. The door bowed with each thud, Kill Door Part II. In hindsight, locking it might not have been the smartest move. “What are you doing?”

“We need to get going.” Kirk’s deep voice carried easily through the composite. Another thud told her he was serious. “What are you doing?”

She started to yell, “I’m taking a shower,” but it would only get lost in the next bang. She grabbed a towel, twisted it around her, unlocked and opened the door.

Mid-swing, Kirk’s large and capable hand froze. He blinked. His gaze dropped. Widened.

Turned molten silver.

 

So how many of your high school loves or crushes knew? Me, I had one big love and a lot of other little crushes and none of them knew ☺ It took until college for me to brave telling, and that’s how I got my husband. But that’s another story…

Hugs!

Mary

 

I live in the Midwest with my beta-reader alpha husband, two grandcats who demand equal lap time, a basement full of spare computer parts and several musical instruments including a romantic cello and a flute for orchestral twittering birds. Find me on the web at http://www.maryhughesbooks.com, Facebook http://www.facebook.com/MaryHughesAuthor and Twitter @MaryHughesBooks

 

Happy New Year!

 

 xkcd

 

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In case your 2024 was less than salubrious (Imgur)

2021 New Year Funny Saying

And because any year that ends or starts out with Moon Moon is a good year :) My best to you all!

Just for old time's sake, Moon Moon

3T Writing Tidbit

 NaNo-NowWhereIGo?

If you're like half a million writers, you took part last month in NaNoWriMo, the national novel writing month. What if you won? You poured 50,000 words of your heart and soul onto the page, virtual or concrete. And when you read through it...

Well, no first draft is a complete winner. So what do you do now?

When I was doing NaNoWriMo, there was a single blog post on that subject. I've distilled some of the recommendations here.

But they're come a long way! Not only are there resources on what to do next, there is an official Now What challenge during the months of January and February! See an example here from 2023-24. Support for all your post-soul-pouring needs in one place.

What are some things you can do in the meantime?

1. Get a deck of index cards (or the e-space equivalent). Read through your novel. Each time a scene changes, start a new card. 
1. Write on it: 
1. characters; 
2. action; 
3. how it advances either the emotional content or the plot.
2. Look at your cards for point 3. Doesn't advance the emotions or plot? They're boring filler scenes. Chuck 'em.
3. Look at your cards for point 1. Are there any characters you can dedup? Dr. Watson was Holmes's biographer... but he also did medical and pathology diagnoses, and as an army doctor was often Holmes's muscle as well. Conan Doyle could have written three separate characters, but combining these attributes made Dr. Watson a beloved and more realistic character.
4. Finally, look at the order of the cards. What if you moved the first one somewhere else? What about the one in the middle? Play with rearranging the cards and see if something clicks. Is there more tension if you delay a scene, or bring one forward? Is there a more satisfying payoff? Have fun!
   

Published since 2009, over the years I've accumulated various items of writing wisdom. The Third Tuesday Writing Tidbit showcases these items in no particular order. Click here to see all 3T Tidbits.