3T Writing Tidbit - Writing the Holidays

 If you google "Writing the Holidays" (I'm writing this the last day of 2024, so I'm assuming people are still googling, but who knows what evolution AI will have effected) you'll get everything from writing holiday stories to writing despite the holidays to writing to stay sane through the holidays.

I have a short but different take. Be aware of the holidays and use that awareness to write better stories (holiday or not).

In the northern hemisphere, days leading up to December 21 are getting darker and darker. Not only do days themselves shorten, but the daylight itself becomes thin, like nightmare lighting. The effect is more marked the farther north you go.

In the southern hemisphere, this happens in June, but they deal with it the same way northerners do.

GIVE ME MORE LIGHT

Sydney hosts the largest festival of lights. In my subdivision, December sees us rivaling small countries in use of electricity.

Here's the writer's take on it. Check out these two images (made with Stencil).

 

 The first really pops! Lots of things going on, lots of color and light.

The second is much more sedate. Only a few people, and there's only two colors of light, blue and pale yellow.

But here's the twist. Look at the text. In which picture does it stand out more?

Well, right. The second. So does that mean we should always go for the more singular, subdued light?

Sure -- if you want the text to stand out. But if you're writing a mystery, the best way to hide a clue is in plain sight -- with a whole passel of color and light and bustle going on around it.

Published since 2009, over the years I've accumulated various items of writing wisdom. The Third Tuesday Writing Tidbit showcases these items in no particular order. Click here to see all 3T Tidbits.   

2T Repeat Performance - Series Inspiration

I've done a number of blog tours over the years, posting on different sites. Now I'm bringing them to you!

Originally published September 2, 2013 for Blackraven's Erotic Cafe

Thank you to Blackraven and Blackraven’s Erotic Cafe for having me back!

How does the inspiration come to you for the next book in this series?

Short answer? There are a bunch of alpha males and quirky females running around in my head jostling to get out :)

Longer answer, the series has a broad arc of three stories per villain, each bad guy more cunning and harder to beat. The final book as planned will be the boss villain against Kai Elias, the leader of the Iowa Alliance.

So then it’s a matter of fitting each hero/heroine into their best place in the arc. For example, one of my heroines had to be a doctor, to help reveal information on my vampires’ physiology. I also needed to establish the setting of the north woods cabin for a future story. So I created Synnove.

Then I had to pick a romantic interest. Since I love to crash opposites into each other, and Synnove is substance over style, that meant creating mega-style adman Ric. As a boy, Ric was turned by vampire villain Nosferatu, so I got to reveal some cool background about him and Elias.

The thing that sold Synnove for me is that her cousin is Twyla Tafel, whose story was started in The Bite of Silence. Twyla’s Happily Ever After was waiting for her in those north woods. Better yet, the event triggers Synnove’s HEA. When the pieces fit, I have the start of a story. When they resonate into something more, it’s worth writing.

I have to admit, though—it’s not all planning. Sometimes a character will simply leap out of my psyche and take over the pages. Logan and Twyla were both like that. And Aiden, deadly assassin and Ric’s sidekick, whom you’ll meet in Beauty Bites, grabbed Book 8.

When do you decide that it's time to close a series?  What are the signs you look for?

I think it depends on the series. Some, like J.D. Robb’s Eve Dallas or Rex Stout’s Nero Wolfe are open-ended. Some have a natural end, like a trilogy with three friends, each of whom finds their love. Some have a scripted end, where the last hero meets the biggest villain. Some jump the shark, where, in an effort to make the stakes larger or the twist unexpected, a story reaches outside itself for inspiration. It’s important to expand the story first, then bring in the shark :).

Did you think the series would go as long as it has?

In my head it always has J. I’ve had to learn better ways of creating new situations and increasing the stakes without jumping the shark. As many writers do, I have themes that resonate strongly for me, and those will show up again and again. But I feel very fortunate to have great editors, writers, readers and the whole community of people who love stories whose support and encouragement keeps my writing fresh.